Human rights activists seeking a ban on the use of loud music to exert psychological pressure on detainees in
Reuters says the campaign called the Zero dB project, standing for zero decibels, was launched at the end of last year by British legal charity Reprieve, which represents dozens of prisoners held at the US. military prison at
It has already signed up British artists including David Gray, Dizzee Rascal and Massive Attack and is now setting its sights on American musicians, said Chloe Davies, a representative of Reprieve and Zero dB.
At a recent “Music and Torture” conference near
During interrogations in
“After a while, I felt pretty much dead, I didn’t feel I existed at all,” Davies quoted Mohamed as saying.
Another former detainee, Rhuhel Ahmed, thought initially it was a joke when his captors played rapper Eminem’s music, Davies said.
“But after so long, when he started to hallucinate, he said he got why they were doing it,” she said, quoting Ahmed as saying, “The music torture stripped away the last sanctuary you had in your mind.”
Davies said Ahmed, who was released from
“The big people like Bruce Springsteen, who we thought would care because he’s quite political, we’re still trying to reach him,” Davies said. “It’s just so hard to get through the walls of managers.”
Representatives for Eminem and Springsteen did not immediately respond to Reuters requests for comment.
Davies said Reprieve was also discussing with
According to Reprieve, music that has been used ranges from heavy metal such as AC/DC, Aerosmith and Metallica to the theme tune from the children’s show “
Detainees also reported the use of songs with overtly American titles, such as Springsteen’s “Born in the
In one of his first acts after taking office in January,
Thomas Keenan, director of the Human Rights Project at
He said the US Army Field Manual, which lays out how to treat detainees, does not specifically address the use of music, which has a long history of being used to exert psychological pressure by the
The most famous instance was in 1989 when
Keenan said it was hard to define what amounted to torture, but it was vital to address the issue.
“There’s a tendency to think ‘The world has changed, now we’re not doing that any more, it’s a thing of the past,'” Keenan told Reuters. “That worries me.”
“What’s needed is a debate … a terrible debate on the benefits of torture, with or without music,” Keenan said. “We need to repudiate it explicitly.”